New photo added to our cousins photo album, George Jobe and Eliza Murray. They descend from different children of Caleb Job and Barbary ?. http://freepages.genealogy.rootsweb.com/~ajobebrown/jobe/album/pic_geo_mur.html http://www.imagestation.com/album/?id=4291337267 #1 Elsie Elizabeth Jobe (1918-1942) & Roy Clyde Jobe (1913-1978) - taken about 1921 - children of Clyde Thurman Jobe and Oma Mae Hickman, grandchildren of William M. Jobe and Rachel Ann Conkin. - Submitted by Randy Jobe *Rachel Ann Conkin is also a Jobe descendant herself from Elizabeth (Jobe) Jackson - d/ Jacob Jobe and Deborah MacKay. So these 2 children are Jobe descendants in several ways!

New photo album for the descendants of John Wesley Jobe and Julia Ann Peeler. He was s/o Samuel Jobe and Sarah 'Sally' Frank. Submitted by a Shelton Descendant. http://freepages.genealogy.rootsweb.com/~ajobebrown/jobe/album/pic/jw_peeler.html http://www.imagestation.com/album/?id=3765045093 #1 Mary Louisa 'Mollie' (Jobe) (1877-1976) and husband, William Daniel Shelton (1875-1961) (1) - married September 16, 1896. She was d/o John Wesley Jobe and Julia Ann Peeler. #2 Mary Louisa 'Mollie' (Jobe) (1877-1976) and husband William Daniel Shelton (1875-1961) (2) - d/o John Wesley Jobe and Julia Ann Peeler.

New photo added to the James Alfred Jobe and Milly Norrid Photo album. It is a real treasure taken in 1896-1897. It was discovered recently by Jack Helm who was visiting a Nored family in Clinton, Arkansas. James Alfred Jobe was s/o James Jobe and Catherine Pitt http://freepages.genealogy.rootsweb.com/~ajobebrown/jobe/album/pic_norrid.html http://www.imagestation.com/album/?id=4291401917 #9 Kate Jobe & Carroll Nored Family 1896-97 - Kate was d/o James Alfred Jobe and Milly A. Norrid and gd/o James Jobe and Catharine Pitt. First Row: Nettie Nored (Rogers); Lettie Nored (Helm); Nancy C. 'Kate' Jobe; Ora Nored (Rogers); Carroll Newt Nored; Kittie Nored Starks; Baby Jeffery Starks; Charlie Luth Starks. Back Row: William Rufus Nored (Son of Jerret E. Nored); Frankie Nored Nail; Millie Nored Carr; Julian T. Nored and Mittie Nored. ======== Ann (Jobe) Brown http://freepages.genealogy.rootsweb.com/~ajobebrown/

Greetings all, I belong to www.webshots.com and we get daily photos that we can download and use for wallpaper, slide show or to send e-cards with. This is a free site and if you are not familiar with it, it is worth checking out. Yesterday I received a photo in the daily shots and it was of Leiper's Fork, Tennessee. http://www.webshots.com/g/d2004/9-nw/48662.html Knowing that Randy was so familiar with the area, I sent to he and Ann as an e-card and ask Randy if he knew where it was located. He said yes it is in Williamson Co., TN. and sent me their website. Thought you might like to check it out also. Leiper's fork is in Williamson County which is just South of Nashville.http://www.williamson-tn.org/commun/leipers.htm There are virtually thousands of photos on Webshots, and you might find a photo of a place or thing that you have been seeking. Freida Freida Wells � TO FORGET ONE�S ANCESTERS IS TO BE A BROOK WITHOUT A SOURCE, A TREE WITH OUT A ROOT�,

Greeting Roger, ( and Ann , ) Welcome to the wonderfull world of Genealogy,.... if it is already on the web, it means someone has already done the hard yards in researching and now is sharing the information with the cousins around the world.... Also means that you are Not Alone out there in trying to find the elusive ancestors.... Even tho Cornwall is a relative small county, most of the JOBs that are listed in various towns, i found are not connected to each other, especially if they are a stable trade ( ie mining /faming/ fishermen) they tend to stay in that area for a while until that profession does not support the families then they move to other areas looking for they same type of work, some had bitten the bullet and went to the new worlds and starting afresh. a) have you searched the Rootsweb surname list, just in case there is a list with " Blatchford" ??? b) to do the hard yards, you would have to go to the nearest LDS family history centre and hire in the parish registers of the area of interest and try to back track that way. c) if you already know some of the names, check out the English Cenuss 1861 , 1871, 1881, 1891, where some of them are on line... d), " letter your fingers do the walking..." have you tried to contact any living names in that part of the world ? ... you can find the phone book for UK and type in the name you be after and hopefully (with fingers crossed) there may be a living relative with the phone on, Just in case you did not know, My JOB ancestors came from Gwennap Cornwall , the first mention in the parish register was 1672 marriage... came to NSW Australia as a miner in 1848. they were all miners during those early days.. regards and good luck in with your research Warren Job Australia ------------------------------------- ----- Original Message ----- From: <[email protected]> To: <[email protected]> Sent: Thursday, September 09, 2004 9:39 AM Subject: [JOB] Job family in Cornwall > any one interested.? I searched the List archives and there are no > postings for this Family. > > keep on-keeping on-never quit. Roger > > > ==== JOB Mailing List ==== > Gedcoms on World Connect: > Job(e) Legacy: http://worldconnect.rootsweb.com/~ajobebrown > Job(e) Branches: http://worldconnect.rootsweb.com/~ajobebrown2 > > ============================== > Gain access to over two billion names including the new Immigration > Collection with an Ancestry.com free trial. Click to learn more. > http://www.ancestry.com/rd/redir.asp?targetid=4930&sourceid=1237 > > >

Hi Roger, I was hoping Warren (he may be away) would answer you He is in Australia, but his Job family is from Cornwall and can be found on the Job(e) site at http://freepages.genealogy.rootsweb.com/~ajobebrown/jobe/notandrew.html Ann (Jobe) Brown From: <[email protected]> To: <[email protected]> Sent: Wednesday, September 08, 2004 7:39 PM Subject: [JOB] Job family in Cornwall > any one interested.? I searched the List archives and there are no > postings for this Family. > > keep on-keeping on-never quit. Roger > >

any one interested.? I searched the List archives and there are no postings for this Family. keep on-keeping on-never quit. Roger

Freida Thanks for the item on photography----I find it very interesting---and educational. You're a blessing and I don't tell you how much I appreciate your efforts......I really do........... yore cuzzin Sam ----- Original Message ----- From: "Freida Wells" <[email protected]> To: <[email protected]> Sent: Friday, September 03, 2004 4:31 PM Subject: [JOB] Saving Family Treasures: Cased Photographs > Thought you might be interested in this article. > > Freida > > -------------------------------------------------------------------------- -------------------------- > > >From Ancestry Daily News 8/26/04 > > Saving Family Treasures: Cased Photographs > - Maureen A. Taylor > > > Two people today asked for information about cased photographs of their family, so I thought it would make a good topic for this column. Many people are unaware of the type of images issued in cases, and there is also great confusion about such images' care and storage. Let's start by identifying the images themselves. There are three types of nineteenth-century photographs commonly found in cases. Occasionally you'll see a paper photograph in a case, but it's usually because it has replaced an earlier image. > > Daguerreotype (1839-1860s) > Recognizable due to their shiny metal surface, daguerreotypes are America's first photographs. You have to hold these images at an angle in order to look at them. If you've never seen one, check out the online exhibit at The Daguerreian Society website. Members of this organization are collectors, historians, and admirers of these early images. It's a stunning collection! > > No matter how tempted you are to take a daguerreotype apart--don't. The image sits on the surface of the metal plate. If you wipe the plate, you'll destroy the image. Each daguerreotype is one of a kind. > > Ambrotype (invented 1854) > Ambrotypes are a negative image on glass. When backed with a dark-colored fabric, paper, or varnish they appear positive. You can find examples of ambrotypes online at the Library of Congress, American Memory site by searching for the term "ambrotype." > > Ambrotypes are very fragile: the glass is susceptible to breakage, and the backing and photo layer have a tendency to flake off. I don't recommend taking these images out of their case because you can cause damage to the glass and the picture. > > Ferreotype or Tintypes (invented 1856) > Tintypes were extremely popular during the Civil War period. Itinerant photographers traveled with the troops so that soldiers could send pictures of themselves home with their letters. While these metal photographs were commonly known as tintypes, the images are actually on iron. Photographers sold them in a variety of formats and enclosures from cases to paper mats or even alone. It's easy to confuse an ambrotype and a tintype in case, but you can clarify the identification by using a magnet. > > These early photographs are amazingly resilient. Most of the tintypes I've seen look battered from years of mishandling, yet the image remains visible. Tintypes have a tendency to rust when exposed to water or high humidity, and the varnish coating used to protect them can darken with age. > > Case Composition > Manufacturers made cases in different sizes, shapes, and formats. In the 1840s and 1850s most cases were wood, but basically any material could be used to manufacture a case. Sturdier models known as "union cases" consisted of gutta percha, a type of tree resin that could be molded and hardened. > > All cased images consist of various pieces--a fabric liner, a mat (that resembles a picture frame), a glass covering to protect the image, and a preserver (a thin embossed strip of brass that frames the glass and keeps everything firmly in the case). > > Individuals uncertain of when a cased image was taken can date the mat and case design in addition to looking at the photographic method and fashion details. A classic guide to case styles is Floyd and Marion Rinhart's American Miniature Case Art. It's out-of-print, but some large libraries have a copy. I purchased mine through a used-book dealer. Adele Kenny's Photographic Cases: Victorian Design Sources, 1840-1870 (Schiffer, $59.95) is still available. > > Storage > Cases vary in their fragility based on the construction materials. Generally wooden and paper cases deteriorate with use and over time. Gutta percha cases can chip and break if dropped or mishandled. > > I suggest storing each cased image in separate small storage boxes if possible. Several companies manufacture acid- and lignin-free boxes with reinforced corners, including Light Impressions, Hollinger, and Metal Edge. All of these companies sell boxes in a wide variety of sizes. I've used hinged microfiche boxes for a couple of my own images. If you can't locate a manufacturer who sells boxes to accommodate a single case, try to minimize the number of images kept together. See my earlier column "A Case of Mistaken Identity" for specifications. > > Using a single cased photograph per box makes keeping together the identification and image a cinch. It's difficult to label an image in a case. You can't adhere a label to it with glue without damaging the enclosure. Rubber bands deteriorate and cause abrasive damage. It's much easier to purchase individual boxes than risk losing the identification. Use a pencil or an "archival" marker to write the identification on the exterior of the box. > > Please take care of your early photographs. I've seen too many discarded because they are damaged and unidentified. > > In an earlier column, "Revolutionary Pictures," I discussed my efforts to preserve the Revolutionary War generation in photographs. Many of these individuals appear in daguerreotypes, ambrotypes, and tintypes. > > If you have a preservation question, please send it to me at [email protected] with "Saving Family Treasures" in the subject line. > > --------------------------------- > > > Maureen A. Taylor is the author of Preserving Your Family Photographs (Betterway, 2001) and Scrapbooking Your Family History (Betterway, 2003). > > >

Thomas Francic Blatchford b abt 1859 in St Blazey's Cornwall, married <ELIZA JANE JOB> b abt 1867 in Scotland married <FLORENCE ANN JOB> b abt 1870,St Blazey's Cornwall.. Archie Blatchford b 1896 St Blazey's Cornwall Laura Blatchford b abt 1898 St Stephens Cornwall William Blatchford b abt 1900 St Stephens Cornwall Olive May Blatchford b abt 1906 St Austell Cornwall,d abt 1937 St Blazey's This line of JOB came to Cornwall from Scotland.. any additional information helpfull.? keep on-keeping on-never quit. Roger

Thought you might be interested in this article. Freida ---------------------------------------------------------------------------------------------------- From Ancestry Daily News 8/26/04 Saving Family Treasures: Cased Photographs � Maureen A. Taylor Two people today asked for information about cased photographs of their family, so I thought it would make a good topic for this column. Many people are unaware of the type of images issued in cases, and there is also great confusion about such images' care and storage. Let's start by identifying the images themselves. There are three types of nineteenth-century photographs commonly found in cases. Occasionally you'll see a paper photograph in a case, but it's usually because it has replaced an earlier image. Daguerreotype (1839-1860s) Recognizable due to their shiny metal surface, daguerreotypes are America's first photographs. You have to hold these images at an angle in order to look at them. If you've never seen one, check out the online exhibit at The Daguerreian Society website. Members of this organization are collectors, historians, and admirers of these early images. It's a stunning collection! No matter how tempted you are to take a daguerreotype apart--don't. The image sits on the surface of the metal plate. If you wipe the plate, you'll destroy the image. Each daguerreotype is one of a kind. Ambrotype (invented 1854) Ambrotypes are a negative image on glass. When backed with a dark-colored fabric, paper, or varnish they appear positive. You can find examples of ambrotypes online at the Library of Congress, American Memory site by searching for the term �ambrotype.� Ambrotypes are very fragile: the glass is susceptible to breakage, and the backing and photo layer have a tendency to flake off. I don't recommend taking these images out of their case because you can cause damage to the glass and the picture. Ferreotype or Tintypes (invented 1856) Tintypes were extremely popular during the Civil War period. Itinerant photographers traveled with the troops so that soldiers could send pictures of themselves home with their letters. While these metal photographs were commonly known as tintypes, the images are actually on iron. Photographers sold them in a variety of formats and enclosures from cases to paper mats or even alone. It's easy to confuse an ambrotype and a tintype in case, but you can clarify the identification by using a magnet. These early photographs are amazingly resilient. Most of the tintypes I've seen look battered from years of mishandling, yet the image remains visible. Tintypes have a tendency to rust when exposed to water or high humidity, and the varnish coating used to protect them can darken with age. Case Composition Manufacturers made cases in different sizes, shapes, and formats. In the 1840s and 1850s most cases were wood, but basically any material could be used to manufacture a case. Sturdier models known as �union cases� consisted of gutta percha, a type of tree resin that could be molded and hardened. All cased images consist of various pieces--a fabric liner, a mat (that resembles a picture frame), a glass covering to protect the image, and a preserver (a thin embossed strip of brass that frames the glass and keeps everything firmly in the case). Individuals uncertain of when a cased image was taken can date the mat and case design in addition to looking at the photographic method and fashion details. A classic guide to case styles is Floyd and Marion Rinhart's American Miniature Case Art. It's out-of-print, but some large libraries have a copy. I purchased mine through a used-book dealer. Adele Kenny's Photographic Cases: Victorian Design Sources, 1840-1870 (Schiffer, $59.95) is still available. Storage Cases vary in their fragility based on the construction materials. Generally wooden and paper cases deteriorate with use and over time. Gutta percha cases can chip and break if dropped or mishandled. I suggest storing each cased image in separate small storage boxes if possible. Several companies manufacture acid- and lignin-free boxes with reinforced corners, including Light Impressions, Hollinger, and Metal Edge. All of these companies sell boxes in a wide variety of sizes. I've used hinged microfiche boxes for a couple of my own images. If you can't locate a manufacturer who sells boxes to accommodate a single case, try to minimize the number of images kept together. See my earlier column �A Case of Mistaken Identity� for specifications. Using a single cased photograph per box makes keeping together the identification and image a cinch. It's difficult to label an image in a case. You can't adhere a label to it with glue without damaging the enclosure. Rubber bands deteriorate and cause abrasive damage. It's much easier to purchase individual boxes than risk losing the identification. Use a pencil or an �archival� marker to write the identification on the exterior of the box. Please take care of your early photographs. I've seen too many discarded because they are damaged and unidentified. In an earlier column, �Revolutionary Pictures," I discussed my efforts to preserve the Revolutionary War generation in photographs. Many of these individuals appear in daguerreotypes, ambrotypes, and tintypes. If you have a preservation question, please send it to me at [email protected] with �Saving Family Treasures� in the subject line. --------------------------------- Maureen A. Taylor is the author of Preserving Your Family Photographs (Betterway, 2001) and Scrapbooking Your Family History (Betterway, 2003).

There are 88,816 cemetery photos free at http://teafor2.com Several Jobe - Most are in Dallas and Tarrant Co TX - searchable index. Roquey Jobes

Just updated Job(e) Branches for descendants of Thomas Job of Rowan Co., NC. This file has 17 new entries since last update. http://worldconnect.genealogy.rootsweb.com/~ajobebrown2 Ann

Just updated Job(e) Legacy for descendants of Andrew Job Jr. In the past 4 weeks, '207 new entries' were added. http://worldconnect.rootsweb.com/~ajobebrown I have been spending a lot of time working on some of my other lines and making 2 new surname sites for some of my other families - but as you can see I haven't totally neglected the Job(e) family. Hope everyone is enjoying what is left of the summer. Here leaves are already turning colors and the heat has been on the last few mornings. Ann (Jobe) Brown Ann's Genealogy http://freepages.genealogy.rootsweb.com/~ajobebrown/

1 new scan has been added to the records album for Vena Copple and Olin Proper. http://www.imagestation.com/album/?id=4287688883 # 2 Mr. Olin Proper to Miss Vena Copple. Vena was d/o Philip Copple & Nettie Taylor, gd/o John A. Copple, Sr. and Sarah Ann Jobe and gt gd/o Edward Jobe and Isabelle Fincher. Submitted by Freida Wells

1 new image has been added to the album of William S. Jobe and Malinda Bunch. http://www.imagestation.com/album/?id=4291559745 # 25 William H. Jobe Funeral Card, s/o William Shepherd Jobe and Malinda Bunch, gs/o John Jobe & Helen Stanton , gt gs/o William Jobe & Zelphia Norris and gt gt gs/o Caleb Jobe and Sally Pryor. Submitted by Freida Wells. Freida

1 new image has been added to the album of Charles E. Jobe and Mabelle Eustace http://www.imagestation.com/album/?id=4291242103 # 8 Charles E. Jobe Funeral Card. Charles was s/o the s/o William Shepherd Jobe and Malinda Bunch, gs/o John Jobe & Helen Stanton , gt gs/o William Jobe & Zelphia Norris and gt gt gs/o Caleb Jobe & Sally Pryor Submitted by Freida Wells

2 new scans have been added to the album of John A Copple, Jr. and Lena Downs. http://www.imagestation.com/album/?id=4287643621 # 15 Funeral Rememberance John A. Copple, Submitted by Freida Wells # 16 Funeral Card, John A. Copple. Submitted by Freida Wells Freida

4 new scans have been added to the album of Philip COPPLE http://www.imagestation.com/album/?id=4287700809 # 17 Funeral Card, Nettie Copple # 19 Funeral Rememberance, Philip Copple # 20 Funeral Card, Philip Copple # 23 Marjorie Earlene 'Earlene' Copple Funeral Card , w/o Leonard John Copple, Jr. , s/o Leonard John Copple, Sr. s/o Philip Copple and Nettie Taylor, s/o John A Copple, Sr. and Sarah Ann Jobe.. Submitted by Freida Wells Freida

A new image has been added to the album of William Edward COPPLE. http://www.imagestation.com/album/?id=4287739707 # 9 William Edward Copple Funeral Card , Submitted by Freida Wells. Freida

For a limited time only, the 1870 census images are free at the following site: www.sources2go.com It is linked to Ancestry.com I have tired it and it does work. Freida