It would seem to me that the last person I wrote about might not be of much interest to the majority of people in our groups, who are neither Swedish nor geographers. The following person has connections with Great Britain, Canada, and the performing arts. Her given name at birth was Celia Franks which she changed Celia Franca to honour Alice Markova. Celia was a brilliant ballerina who following a dancing career with Sadler Welles and the Metropolitan Ballet, came to Canada and in Toronto formed the National Ballet of Canada and served as its artistic director for 24 years. While I have seen the result of her work on the CBC, I have never found it possible to attend a live performance. A number of web-sites are listed below as well as a brief biography. http://www.cbc.ca/arts/theatre/story/2007/02/19/celia-franca-obit.html?ref=r ss http://www.artsvivants.ca/en/dan/mediatheque/interviews/interviewDetails.asp ?mediaID=434 (there is an excellent video interview with Celia Franca on this website) http://www.ballet-dance.com/200612/articles/Franca200612.html http://www.empireclubfoundation.com/details.asp?FT=yes&SpeechID=1705 Capt'n John Celia Franca retires from the National Ballet The Story Celia Franca, who won national acclaim for founding the National Ballet of Canada, is hanging up her ballet slippers after a 23-year career with the famed company. In February 1951, Franca, an established dancer, choreographer, teacher and tour manager, arrived in Canada from London. Her mighty mission: establish a permanent national ballet company, recruit and train dancers, create a training school, hire artistic staff and fill the house with audiences. In this CBC Radio interview from 1970, Franca discusses the joys and pains of starting a company from scratch. Did You Know? . Celia Franca was born on June 25, 1921, in London, England. At age four, Franca was enrolled at the Guildhall School of Music to study dance. She subsequently studied at the Royal Academy of Dance. . As a teenager in 1936, Franca was featured as a soloist and the leading dramatic dancer in London's Ballet Rambert. A gifted performer, Franca was recognized early on as a rising star and was featured prominently in some of England's finest ballet companies. In 1947, Franca choreographed Eve of St. Agnes and Dance of Salome for the BBC. . In 1950, a group of ballet enthusiasts in Toronto recruited Franca to establish Canada's first classical company. After surveying the lacklustre state of affairs in Canada, Franca said, "I think you need me here." She assembled the company in 10 short months and supported herself by working as a clerk at the department store Eaton's. On Nov. 12, 1951, the National Ballet of Canada made its debut in Toronto at the Eaton Auditorium. . Franca would serve as the artistic director of the National Ballet for 24 years between 1951 and 1976. She was succeeded by David Haber. . In 1959, Franca and Betty Oliphant established the National Ballet School. The well-respected school would go on to train celebrated Canadian dancers including Veronica Tennant, Frank Augustyn, Karen Kain, Rex Harrington, and James Kudelka. . In 1967, Franca was invested as an officer of the Order of Canada. In 1985, she was promoted within the order and made a companion of the Order of Canada. . "[Celia Franca] means everything to me, to what I was or have been - all my hopes and dreams. She made it all come true." - Veronica Tennant, June 26, 2001, Ottawa's National Arts Centre on the occasion of Franca's 80th birthday.